Tag Archive: HDDSLR


I’ve been doing a lot of experimenting and testing with my Steadicam setup lately. Both the full steadicam rig and I’ve been doing some tests with just the Glidecam HD 4000 by itself and this was another “in-the-field” test with just that. Once again I’ve dusted off the rollerblades, thrown them on, and chased Perth skater Tom Ranger around a skate park to see what interesting footage we could get.

Above is just a few snippets of the footage we captured. I really wanted a wider lens but I had to use what I had at the time. It was a very last minute shoot. The 1.6 crop on the 600D didn’t help me either. Anyway there’s a couple of really nice smooth takes in this little clip, so take a look and see what possibilities the Glidecam can bring to your production.

I will tell you one thing, it is a true art to control the Glidecam successfully, especially when you are on skates. You need a lot of practice and even I am still feeling inadequate in that department. It can be tricky out with the wind as well, and having a wide lens will help hide some of the bumps, where as a longer lens will be very hard to keep steady. 

While we were at it I switched over to Manual mode (since the 600D has a dedicated movie mode) and fired off a couple of snaps for Tom, one of which is below.

Tom Ranger

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Magic Lantern Firmware for 5DMKII

Those of you really into shooting video with your 5DMKII may have already heard about Magic Lantern. It’s a peice of firmware specific for video shooters that you can load onto your 5DMKII in place of the standard Canon firmware. Why would you want to do that? Well this firmware opens up an array of amazing features and gets around some of the limitations that the standard firmware in the 5DMKII has. This was very popular especially when the 5D had only just first came out, because the original firmware that shipped with the 5D was very limiting. It still is but thanks to some firmware updates they have fixed some issues.

Here’s a video with the developer of the Magic Lantern Firmware from a while back explaining the reasons for it and the features it has.

Magic Lantern introduction from Trammell Hudson on Vimeo.

 

Below is a video demonstrating the NEW features in the new version of the firmware.

MAGIC LANTERN AJ5.0 from Moira O’Brien on Vimeo.

Mitch from Planet5D made the announcement and has a lot more information on the blog over at blog.planet5d.com

For more information on the Magic Lantern firmware, a good place to start is the Planet5D wiki.

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Being a filmmaker you need to see what you are shooting. Being a HDSLR filmmaker, the little LCD screen on the back of the camera just isn’t sufficient for monitoring what you’re filming, and certainly not sufficient for pulling focus on your subject with a high level of accuracy. Many have turned to the viewfinders such as the Zacuto Z-Finder and the Hoodman Loupe to magnify this little LCD screen and be able to more accurately pull focus and monitor footage. However… what if the camera has to move? What if your Director wants to see what you’re filming, what if you have a focus puller that needs to see too? At some point you’re going to want to upgrade to an external monitor, maybe even two.

As for myself, I love to move the camera around a lot on dollies and also on my Steadicam rig and you just can’t use LCD loupe’s on these rigs. So I needed a monitor, and after much research I decided to go with the SmallHD DP6. It’s a brilliant 5.6″ Monitor thats sports a higher resolution than most others displaying at 1280 x 800 pixels!  One of the other most appealing things to me was the fact you can easily attach a battery plate to the back, which makes it compatible with the Canon 5DMKII batteries (LP-E6). Also the same battery as the 7D. I already have these batteries and I know they can last pretty well, and I think they are rated at about 4 hours with this monitor. That sounded good to me. They snap in and out so easily and quickly, and the monitor is then completely self sufficient and only requires a HDMI input. This is perfect for my Steadicam. No need for an external power source.

When buying a new item, I know that weird feeling you get just not knowing all the little things, and of coruse you are always going to have questions, so here I am going to try and answer some questions for you if you are looking at buying this monitor.

When it arrived it was well packaged and protected. Thanks SmallHD. Its these little things I like. It also got here very quick, in just a few business days which is good (to Australia). They sent it via UPS and this service sends you an email with a tracking number so I was able to track it all the way here.

Anyway… Once I hacked away the cardboard I got to the actual packaging which was quite impressive as shown below.

SmallHD DP6 Packaging

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Vincent Laforet has popped up on my blog a number of times in the past, as he is someone I look up to in the field of HDDSLR filmmaking and he is quite the embassador for it.  He has teamed up with CreativeLive yet again to deliver what looks to be one very exciting workshop on HDDSLR filmmaking on the weekend of Fri March 4th to Sunday March 6th.  This workshop will build on the previous one, where he introduced us to the world of HDDSLR filmmaking and covered all the fundamentals and the gear available etc.  This one is a 3 day workshop and I highly recommend it. You will gain so much from it without a doubt.

For those that dont know what CreativeLive is… (getwiththetimes!) it is a Free, Live & Online classroom where you can learn from the best instructors around the world on just about any topic. Photography and filmmaking are two of those topics which probably has to do with famous photographer Chase Jarvis being one of the brains behind the whole operation.  You can watch live 1-5 day workshops in HD and if you miss anything you can buy the whole thing as a download for next to nothing.  It’s such a valuable training source.

Here’s the details for the workshop… http://creativelive.com/courses/hddslr-moving-still-video-vincent-laforet

Enjoy.

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Marshall V-LCD70XP-HDMIPT Loop-through Monitor from Vincent Laforet on Vimeo.

Vincent Laforet has managed to get his hands on the latest Monitors from Marshall Electronics (lucky bugger) and he has made this little video to show you what they are capable of. It’s good news for HDDSLR filmmakers like me.

Marshall Electronics Monitor with HDMI Loop through

The monitors address a couple of important issues for us HDDSLR filmmakers. The first one being that they allow HDMI pass through. So you can plug one monitor in via a HDMI cable, then you can run another HDMI cable from that monitor to a second monitor, and share the same HDMI signal. Brilliant!

The second great feature is that when you hit the record button, and the feed goes back down to a smaller resolution, the monitor automatically resizes the feed so it still stays full screen. Obviously the quality will be less great but thats a shortcoming of the camera.

Check out the video above, and jump over to Marshalls product page here.

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Steadicam Merlin Vest with Glidecam HD-4000Stabilising your camera for video is so important and once you move past tripods & shoulder rigs, and you really want to get more mobile you start looking at handheld steadicams. There are quite a few on the market especially with the increasing popularity of smaller cameras. There’s only so much weight that you as an operator can hold though for a certain amount of time, so thats when you need reinforcements in the form of an arm & vest. Even more-so when you start getting serious and want to start attaching all sorts of gadgets like sound recorders, monitors, follow focus units and more.  Pictured left is numnutts(me) with my HDSLR Steadicam Rig that I purchased while in the USA back in September 2010.

My rig consists of a genuine Steadicam Merlin Arm & Vest, although I am not using the Merlin steadicam itself.  I am actually using the Glidecam HD-4000 unit. Now these two units are not usually compatible, so I have had to remove the merlin adapter from the arm and I am using a custom adapter. Well, my custom adapter at this stage is just a half inch hex bolt with some nuts, but it works beautifully and I have a custom one being made shortly anyway.

I used this rig in America on a couple of projects but now that I am back home I am really testing it out to see what this puppy can do.

TEST ONE!
Ok so the first thing I wanted to do, was dust off my rollerblades and see how well I could film someone running while I skated alongside them. As it turns out, pretty well! I wasn’t as rusty as I thought I would be on the rollerblades and I think I could offer a real niche steadicam service with these on. Anyway, I was testing and experimenting pretty much the whole time but I managed to get a few good peices of footage which I have put into the demo reel below. So have a look and see just how smooth this thing can be! There’s no way I would have been able to do this running alongside Liam(the runner) on foot.

Thanks to Liam for helping me out and running for me. Stay tuned for more updates and sample footage from my steadicam rig. Here’s a couple more photos of the rig, unfortunately they are only iphone photos.

Steadicam HDSLR setup in Las Vegas Steadicam Glidecam HD-4000 filming Music Video

Steadicam HDSLR Rig filming in Las Vegas Director A.J. Carter wearing Steadicam Merlin Arm & Vest with Glidecam HD-4000

The Steadicam Merlin Vest.

Steadicam Merlin Vest & Arm

If you are looking for this kind of effect in your film, then I am available for hire as a Steadicam Operator with all gear supplied obviously.

Also if you aren’t already follow me on twitter! www.twitter.com/brodiebutler31

Happy Shooting,

B.

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Photo by Rafael A Leyva

UPDATE [See the full Behind The Scenes article on this project RIGHT HERE]

So last Wednesday(27th oct) I get an email from my friend and Director A.J Carter and he tells me about some secret project that he just got asked to direct the very next day but couldn’t tell me the details, he only wanted some technical suggestions on the camera side of things which I think his brilliant DP Guy Livneh later sorted out anyway.  He then later revealed to me after filming finished, that he was directing James Cameron & Arnold Schwarzenegger in a little short protesting against Prop 23. Prop 23 is a proposition funded and backed by a couple oil companies which will essentially gut current Californian environmental laws in a bid to relax pollution & clean air laws, causing health issues & destroying thousands of clean energy jobs.

So let me just quickly tell you about the campaign. Arnold and James have felt strongly for the environment for many years. Cameron has in fact donated a ‘substantial’ amount of money to help promote the ‘No on 23’ campaign already and wanted to finish off with a viral commercial with himself and Arnold. James’ love and concern for the environment has also been evident in several of his films including his latest film ‘Avatar’ which also touches on the central theme of environmental destruction.

So why on earth is he emailing me? Well.. apart from getting to work with more of Hollywoods finest,  as it turns out this job was to be shot on a Canon HDSLR! A.J. and I have worked together before on a number of occasions both in Perth (Australia) and in L.A./Las Vegas using these new hybrid cameras so he knew I would be very excited to hear that this project involved using a Canon 5DMKII.

The Director of Photography on to take charge of this project was Guy Livneh. Guy told me they decided to go with a HDSLR as the turnaround time for post production was much quicker with one of these cameras than say a RED at 4K. It suited the project. Guy also stated they chose the 5DMKII over the 7D due the sensor, as after tests he found the 5DMKII to have a more natural colour space and a smoother image over  the 7D.

Jump in and read the article for the full story, the actual video, and see some more Behind the Scenes photos!

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2010 HDDSLR Gear Video from Vincent Laforet on Vimeo.

The video above is from Vincent Laforet, one of the men leading the way with these Canon HDSLR cameras in film production. In the video he shows you some of the gear he is currently using and it will certainly make you drool if you’re a HDSLR fan. Check it out…

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Canon 5DMKII Used for Iron Man 2

I heard a few whispers quite some time ago about the use of the Canon 5DMKII in the blockbuster movie Iron Man 2 and now details have emerged that these rumours were in fact true. There were also some rumours that Canon 5DMKII rigs with panavision lenses attached were spotted on set of the latest Harry Potter movie, but those rumours are yet to be confirmed.

Iron Man 2 cinematographer Matthew Libatique used a number of 5DMKII’s mounted to a vehicle to capture background plates for the F1 scene where Tony Stark is driving on the track. This is exactly what DP (Director of Photography) Rodney Charters did for the hit TV series 24 with Kieffer Sutherland.  DP’s are enjoying the low cost and practicality of these cameras. They can fit them into tight places and get shots that just aren’t so easy with other traditional film cameras.

The 5DMKII was also used in a variety of other crucial shots and Iron Man 2 cinematographer Matthew Libatique said this:
“We set 5D Mark IIs down on the race track and had the vehicles pass by them, crash near them, and run right into them. It was very impressive to have the 5D Mark II cameras hold up and then pop-out their cards and get the shots we wanted.”

Libatique also stated that he intends to use the 5DMKII for some sequences in his next film!

See a more in depth article with more quotes and information from the DP here: http://blog.broadcastengineering.com/briefingroom/2010/09/29/canon-hdslrs-used-to-shoot-iron-man-2/

Happy filming,

B.

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Here I’m going to lay down some of the things that I have learnt first hand through my own experience and from those around me who have been new to shooting video much like the people most likely to be reading this post are. Over the past year my team and myself have been shooting behind the scenes videos at photoshoots and events and the following tips are a result from our experience of that. These tips are not HDDSLR specific, that’s just what I use. I will publish a follow-up post that is more specific to filming with these cameras and go into more detail.

So here you go, 5 Tip for Shooting Video with your HDDSLR Camera after the jump….

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Redrock microRemote preview from Redrock Micro on Vimeo.

If you are into filming with your HDDSLR cameras (Canon 5D MKII, 1DMKIV,  Nikon D3S etc) then you absolutely must check out the latest little gizmo from Redrock Microsystems.  Keeping focus on these HDDSLR’s is tricky especially when you have a lot of camera movement on dolly’s and jibs etc. Having a remote follow focus unit to allow you to control the focus remotely though, can help fix a lot of these problems. 

What Redrock have done, is made this thing compatible with your iphone! So you plug your iphone in and you have a complete application to manage your focusing. It does some seriously cool stuff. It was first announced at NAB 2010 and here are a bunch of videos explaining the system and its capabilities.

http://www.vimeo.com/videos/search:redrock%20micro%20NAB/ac19cd9a

Happy filming!

B.

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Genus ND Fader FilterOne of the first things I would want to get my hands on to start shooting video with your HD-DSLR is a Neutral Density Filter (ND Filter). It’s one of the cheaper products available to you in this big bad world of expensive camera equipment and it’s going to allow you to achieve more desirable results out of your camera. It isn’t just useful for video, its good for stills too! (More below)

Shooting video with these HDDSLR cameras like the Canon 5D MK II in bright lighting conditions makes it very hard to be able to open the aperture right up and achieve that desirable shallow depth of field. You know, the “film” look. It’s desirable because it is a very effective tool at helping tell your story. It enables you to control where you will direct the viewers attention to in a scene and the technique is used in just about every TV Show and Feature film you’ve ever seen. Like most things, it’s not for everyone though.

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Brodie Butler Photography - Sharing The Passion © 2010